Marhaba, Al-Bustan Friends! Here’s a salute to “Music & Tales of Home,” the concert Al-Bustan presented on October 22, 2017, at the Trinity Center for Urban Life, a ridiculously sweet event that took place four walkable blocks from my own Philly home.
The concert felt like a summation of Al-Bustan’s (DIS)PLACED series, weaving together the written work of Ann de Forest in which she captured immigrants’ stories, the music of composers like Kinan Abou-Afach, Dave Tavani’s photo portraits of twelve featured immigrants and the presence of many of the immigrants themselves. Statuesque storyteller, Denise Valentine, bookended the concert with word pictures that took us to the heart of the human experience of feeling settled or finding ourselves made to move.
We never know what events in our lives might shift and sweep us away from those places we call home, or how we might react to the shock of being transplanted. The presentation unfolded in fourteen parts—now a recitation by Denise, now a composition by one of the musicians performed by the group. You could feel the sway of moods as highlights of many immigrants’ experiences sewn together by Ann de Forest alternated with the musical pieces, now lyrical, now exuberant.
The overall effect was exhilarating. As the music and storytelling unrolled, I realized that I was surrounded by friends of Ms. Valentine and actual subjects of the narratives she was presenting. For instance, I had already met Yasser Allaham who made his way to Jordan and the to the United States, escaping from war-torn Syria. Thanks to the unfolding (DIS)PLACED series already produced by Al-Bustan, I knew much of his story. And this past spring I had the pleasure of meeting him in Al-Bustan music classes at Penn. He plays the doumbek and knows all the lyrics to the Melhem Barakat songs we learned for last semester’s Arab Music Ensemble concert!)
I wish I could hear the entire production again. There was so much art in its construction! (Is there a CD in the offing? I hope so.) The ensemble included Hafez Kotain, mainstay percussionist at Al-Bustan, himself a Venezuelan-Syrian-American. And he could tell us that the other performer-composers, Kinan Azmeh (clarinet), Al-Bustan’s own Kinan Abou-Afach (cello) and Issam Rafea (oud) all have Syrian roots—connected to the High Conservatory in Damascus. If I have this right, these three last all knew one another there and the youthful-looking Issam was actually a teacher of both of the Kinans.
The invitation from Al-Bustan is always there, to include yourself in the experiences Hazami Sayed and her noble crew offer. I, as an immigrant to Philadelphia from Massachusetts, lo these forty years ago, a retired rabbi-librarian, can testify, it is a joyous experience.
Long-time Friend & Supporter of Al-Bustan